“Would you like a nice fresh beer?” “We had a full refrigerator.” It’s July 9th and David Muñoz, mig Towrep a team of three journalists in the locker room of the FC Barcelona of the Olympic Stadium. His son José will arrive with a delay card. An interview is available for the documentary Tow. A silly and hot afternoon (produced by Sony Music Vision for Movistar Plus+, available on the platform from October 18). There are 24 hours left until this historic Olympic concert is held. Quite a fit, because it’s the first spanish band that omple from gom to gom this scene with 60,000 people returning home, the morning of July 11, of all the afòniques after leaving the vocal cordes cridant sobre com menjar-se la nit cacho a chub, gram by gramyou know why your eyes have no owner because they are not of this world.
“It is clear that everything surpasses everything, as it would surpass any normal and current one,” David explains about the expectations of this direct historical event. The Olympic one is the most important stadium concert on this tour, but “the most important of all” on a tour that will end with a pass at Sant Jordi. I don’t live like abans anymore. Ara hi has fills, families and desire to play, but also to live calmly. “Tret dels concerts a Llatinoamèrica, on vam fer set concerts in tretze dies, aqui viatgem el dissabte, el mateix dia que trump. Arribem amb el prova de su and el diumenge took cap home. The day went by and I slept around being the person who was going to do the weekly shopping and fill the rubbish. If we cannot reconcile, what threat of life is this?
It’s been 25 years since they’re going to revolutionize everything The modelthat debut without a name that would end up being similar to the one he was, and that first it would be a passant gairebé smuggled in pirate CDs with the photocopied cover and that would then jump from the Baix Llobregat to the German neighborhoods of all of Spain. Estopa celebrates the mig segle sense intel·lectualitzar-se, sense nostàlgies and sense the need to recreate-se in its arrival. “I thought we had obert portes?”, asks David, wondering how they claim what influence Estopa has had on other artists of the Baixllulike ara Rosalia either Alizzz. “I was very excited to know that we were useful because people are afraid of the complexes of xarneguisme or of not being so rich. “I don’t know if we have obert portes, I imagine that maybe yes, but I don’t know who it is,” he reflects, to finish between laughs and a provocative joke that “Barcelona is the periphery of Cornellà.”
In the documentary they defend that being a “poble group” is the biggest insult they have ever heard. “Nosaltres are exactly això, a group from the town. We are the smell of words, the smell of orchestra, of revetlla.” For Jorge Ortiz de Landázuri, manager of non-fiction Originals at Movistar Plus, the documentary reflects “the rumba rock of the group that best connects the generations and the classes.” According to Sergi Reitg, vice president of Sony Music Vision and Sony Music Latin-Iberia, the film “celebrates the careers of extraordinary artists.” They continue to feel that they are who they are. Neither extraordinaris nor neighborhood people who love everyone because they are full of simplicity and friendliness. “We are not such a good person! We also had a fosc coast, eh! Some producers and big fish have tried it. But we can’t pretend. “It’s not just a pleasure to act, it’s a pleasure to flow,” says David. And José, who joins the interview, laughs when they ask him how he values that there are so many artists performing in the neighborhood and the poor woman feeling like they are from all over the world. “N’hi ha molts de ficticis, right? Ara fins i tot els de Pedralbes es vesteixen de canis. They go from canis i don’t know who they are. Just like n’hi they are singers and it turns out that they are not.”
